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consists of 100 unique photographs, each an exploration of scientific phenomena that remain unseen, as if a camera captured the world before it could fully materialize. These images are not about what is visible, but what can be understood—the subtle interactions between light, space, and structure. Perception is treated as a mere trace, a fleeting moment we both deconstruct and reconstruct through memory.
Stripped of traditional references, the photographs present a world of multi-colored light beams that suggest a picture but never quite offer one. There are only trajectories, paths of light that transcend what is seen to reveal the interplay between what surrounds us and what we comprehend. The series becomes a study in scientific photography, where light and space are not just subjects but active participants in the creation of perception and the fabrication of memory.