Traces of Perception is a photographic system developed from the mechanics of seeing itself. Rather than representing subjects or events, the work investigates perception as a process—using light, duration, and optical interference as its organizing principles to expose how images are formed, altered, and remembered.

Although presented as discrete images, the work unfolds through cumulative shifts in clarity, intensity, and temporal compression. Recognition and dissolution coexist within a controlled visual field, requiring sustained attention rather than immediate comprehension. What emerges is not a depiction of perception, but a system in which seeing becomes unstable, contingent, and self-aware.